22 Friday Sep 2017
Posted in Concerts, Delian Academy for New Music, Recording
Listen to Effluences (2011) for flute, bass clarinet, violin, cello, and piano Live @ Delian Academy for New Music 2017 (delianacademy.com)
Grypario Cultural Center, Mykonos, Greece
A huge thank you to the ensemble Oerknal for their stunning performance!
Gregory Charette – conductor
Susanne Peters – flutes
Daniel Boeke – clarinets
Daniel Walden – piano
Mariana Hutchinson Siemers – violin
René van Munster – cello
16 Tuesday May 2017
Posted in discography, Recording
Tags
The CD “One Minute” (Sarton Records, Catalogue nr. SARTON024-2) by Polish flutist Iwona Glinka is now available on iTunes, Presto Classical and Naxos Music Library .
The CD features 60 world premiere recordings of One Minute compositions for solo flute(s) by 42 composers from 17 countries: Argentine, Australia, Canada, Cyprus, England, France, Greece, Great Britain, Hong Kong, Israel, Mexico, Poland, Portugal, South Korea, Spain, Switzerland, and U.S.A.
On track nr. 40 you will find my work Etude in Quarter Tones for piccolo flute
28 Saturday Jan 2017
Posted in Recording
I am thankful to Iwona Glinka for playing my Etude in Quarter Tones for piccolo flute on track nr. 40 of this CD soon to be released by Sarton Records, Poland. Amazing artwork, as well, by graphic designer Beata Czerepak.
The CD features 60 world premiere recordings of One Minute compositions for solo flute(s) by 42 composers from 17 countries: Argentine, Australia, Canada, Cyprus, England, France, Greece, Great Britain, Hong Kong, Israel, Mexico, Poland, Portugal, South Korea, Spain, Switzerland, and U.S.A.
02 Monday May 2016
Posted in commission, Recording, video w/score
“d’ ogne luce muto…” (2003), for piano. Commissioned by SCI and ASCAP. Ioanna Polisoidis – piano.
Published by BabelScores (http://www.babelscores.com/catalog/instrumental/d-ogne-luce-muto)
Program notes:
The work consists of a limited number of brief chord progressions that are woven, rewoven, and occasionally juxtaposed to form longer static moments into the structure. The reduction of the sound elements, on the other hand, is intended to shift the listeners’ attention to the inner life of the piano – it’s resonance, so that the music exists rather in the space between the piano and the audience.
13 Thursday Nov 2014
Posted in Recording
Performed by the Ensemble Zeitfluss. Edo Micic, conductor. 27/10/2014 – Minoritensaal, Graz, Austria.
19 Sunday Oct 2014
Posted in Recording
I would like to share with you the recording of my work Intrascalings (2014) for clarinet, marimba, and double bass, which was premiered by the amazing ensemble et cetera on October 10th, 2014. I am deeply indebted to the three members of the ensemble, Dustin Donahue – percussion, Curt Miller – clarinet, and Scott Worhington – double bass for all their excellent performance.
The performance took place on October 10th, 2014 at the Conrad Prebys Music Center of the University of California, San Diego.
The program also included the premiers of two very exciting works by Joseph Lake and Timothy McCormack.
Joseph Lake, Vyssan Lull (2014) for clarinet, percussion and double bass
Timothy McCormack, KILN II (2013-14) for bass clarinet, contrabass & percussion
01 Monday Sep 2014
Posted in Recording
Performed by the string quartet of the Ensemble Klangforum on July 2nd, 2014, at Ligeti Saal, Mumuth, Graz.
Program Notes
The corruptive dimension of the reconstructive nature of memory serves as a formal model for the unraveling of the present work. Recent neuroscience research coraborates early twentieth century views on memory as a dynamic and evolving phenomenon:
remembering is not a simple retrieval of past events. Memory stores only fragments of the past that later serve for the mental reconstruction of past events, which are susceptible to various kinds of biases and distortions, as well as selective and elaborative processes.
In Quasi (ébauche) the original formative ideas are constantly recalled in a series of reconstructions of the past in constantly present contexts, having at times more fidelity—and at times growing less similar—to the original experience. These reconstructions, by means of pitch gene recombinations, leave only memory vestiges of the original by constantly shifting, diffusing, distorting, transforming, omitting or adding events according to a model of retention/corruption.
It is, in other words, like drawing “on the elements and gist of the past, and extract, recombine and reassemble them into imaginary events that never occurred in that exact form,…not to preserve the past but to adapt it so as to enrich and manipulate the present.’’ It is all about what is remembered and how it is remembered…
17 Thursday Jul 2014
Posted in commission, Recording
Iriai no kane [9:00] for chamber ensemble (commissioned by Edo Micic and the Ensemble Zeitfluss) | Performed by the Ensemble Zeitfluss, Edo Micic – conductor | Minoritensaal at the Kultur Zentrum Minoriten, Graz, Austria | June 23, 2008.
23 Wednesday Oct 2013
Posted in Recording
In the Vestige of the Present, performed by Trio IAMA. Jiannis Anissegos – flute, Maria Anissegou – cello, Antonis Anissegos – piano.
10 Thursday Oct 2013
Posted in Recording
Tags
My work Effluences (2011) for flute, bass clarinet, piano, violin, and cello is presented in the Autumn 2013 BabelScores selection on SoundCloud.
To listen to the entire play list, please visit: https://soundcloud.com/babelscores/sets/autumn-2013-babelscores
BabelScores® searches for and selects the works of the most creative, innovative and original composers of the last decades. It offers an extended catalogue and develops a powerful circulation platform, addressed specially to performers, ensembles, orchestras, composers, musicologists, conservatories, universities and festivals around the world.
The playlist includes works by composers such as Anthony Tan, Paul Méfano, Pedro Garcia-Vasquez, Joakim Sandgren, Lucas Fagin, Vicente Barrientos Yépez, Olga Bochikhina, and Punto Rosso. Definitely worth listening to!
20 Saturday Apr 2013
Posted in Recording
The performance took place on Tuesday, December 4th 2012 | Solon Michalidis Hall of the State Orchestra of Thessaloniki
