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    • Unending are the Mazes it Engenders (2013)
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dimitri papageorgiou

~ composer

dimitri papageorgiou

Category Archives: Recording

Recording session with the Arditti String Quartet

07 Sunday Mar 2021

Posted by Dimitri Papageorgiou in Festival, Recording

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Recording session with the Arditti String Quartet for the New Music Conference NUNC! 4 at the Institute for New Music at Northwestern University, U.S.A. | Zoom session | March 5th, 2021

I am deeply indebted to Irvine, Ashot, Ralf, and Lucas of the Arditti String Quartet and, of course, Hans Thomalla, artistic director of NUNC!, and his team for having made this happen. With the Arditti String Quartet as the main guest ensemble, NUNC! 4 was originally planned in April last year and had to be postponed when the COVID-19 pandemic broke out.

Among a total of nine works the quartet was supposed to workshop and perform is also my string quartet Quasi (ébauche) available by Babel Scores.

Due to the continuing problems caused by the pandemic, NUNC! 4 was decided to take place online on April 24th and the recordings made on March 4th, 5th, and 6th will be hosted on NUNC! website. 

There is an interesting background story about how this recording took place that I quote from Hans Thomalla’s wall:

“Since the quartet is based in London and Germany, and travel to the US is restricted, we had hoped to arrange for a recording session in Germany, so those nine works would still have a platform at the conference. With the new English virus mutation causing a lockdown for travel from London that option closed down last month. The  country of Luxembourg, in the heart of Europe, still permits travel from England, though, and the quartet had a concert scheduled there, which in spite of all the restrictions in the world right now actually happened. The Luxembourg conservatory of Music, their President and their chair in composition Claude Lenners – in a gesture of incredible support for New Music and for our conference – offered a concert hall and the infrastructure for the event and the workshops are now happening there.” 

Hans Thomalla, https://www.facebook.com/hans.thomalla/

Quite a remarkable story! 

Many thanks to all of you: the Arditti String quartet, Hans Thomalla, Claude Lenners, the Luxenmbourg Conservatory, and Jerry sets from concerts at Bienen School of Music at Northwestern University.  

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“…risuona più lontano che mai” – premiere recording in Italy

08 Wednesday Aug 2018

Posted by Dimitri Papageorgiou in Premiers, Recording

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Ensemble Suono Giallo, Il Suono Music Week 2018

“…risuona più lontano che mai”  (2018) for flute, saxophone, piano, and percussion. Commissioned by ilSUONO Contemporary Music Week 2018 for ensemble Il Suono Giallo.

Performed by Ensemble Suono Giallo, Italy: Andrea Biagini, flute; Michele Bianchini, saxophone; Laura Mancini, percussion; Simone Nocchi, piano

Program Notes

“…risuona piu lontano che mai” is a work shaped and, at the same time, fractured by the brevity of its mnemonic fragments, which reappear in manifold and often distressing reocurrences and insistent retrospections through a series of regenerations and rearrangements of the material. Echoing the strangeness of an indescribable sound, these mnemonic fragments are advancing and regressing non-linearly, in stumbles and stutters, uncertainties and hesitations. They are treated as, what Deleuze (and Guattari would call, blocks of becomings in contemplative and non-hierarchical dialogues with one another. As something happening in the process, in intimate intimacy.

“A becoming is always in the middle; one can only get it by the middle. A becoming is neither one, or two, nor the relation of the two; it is the in-between, the borderline or line of flight… If becoming is a block (a line-block), it is because it constitutes a zone of proximity and indiscernability, a no-man’s land, a non-localizable relation sweeping up the two distant or contiguous points, carrying one into the proximity of the other – and the border-proximity is indifferent to both contiguity and to distance.” Gilles Deleuze and Félix Guattari, A Thousand Plateaus. Capitalism and Schizophrenia, trans. Brian Massumi (Continuum, London and New York, 2003), p. 293.

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A huge thanks to Oerknal for their performance of Effluences

22 Friday Sep 2017

Posted by Dimitri Papageorgiou in Concerts, Delian Academy for New Music, Recording

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Listen to Effluences (2011) for flute, bass clarinet, violin, cello, and piano Live @ Delian Academy for New Music 2017 (delianacademy.com)
Grypario Cultural Center, Mykonos, Greece

A huge thank you to the ensemble Oerknal for their stunning performance!

Gregory Charette – conductor
Susanne Peters – flutes
Daniel Boeke – clarinets
Daniel Walden – piano
Mariana Hutchinson Siemers – violin
René van Munster – cello

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“One Minute” now available on iTunes, Naxos Music Library and Presto Classical

16 Tuesday May 2017

Posted by Dimitri Papageorgiou in discography, Recording

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Iwona Glinka

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The CD “One Minute” (Sarton Records, Catalogue nr. SARTON024-2) by Polish flutist Iwona Glinka is now available on iTunes, Presto Classical and Naxos Music Library .

The CD features 60 world premiere recordings of One Minute compositions for solo flute(s) by 42 composers from 17 countries: Argentine, Australia, Canada, Cyprus, England, France, Greece, Great Britain, Hong Kong, Israel, Mexico, Poland, Portugal, South Korea, Spain, Switzerland, and U.S.A.

On track nr. 40 you will find my work Etude in Quarter Tones for piccolo flute

cd_one-minute_4

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New CD release by Sarton Records!

28 Saturday Jan 2017

Posted by Dimitri Papageorgiou in Recording

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Iwona Glinka, Stanton Records

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I am thankful to Iwona Glinka for playing my Etude in Quarter Tones for piccolo flute on track nr. 40 of this CD soon to be released by Sarton Records, Poland. Amazing artwork, as well, by graphic designer  Beata Czerepak.

The CD features 60 world premiere recordings of One Minute compositions for solo flute(s) by 42 composers from 17 countries: Argentine, Australia, Canada, Cyprus, England, France, Greece, Great Britain, Hong Kong, Israel, Mexico, Poland, Portugal, South Korea, Spain, Switzerland, and U.S.A.

 

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“d’ogne luce muto…” (2003) for piano [video/score]

02 Monday May 2016

Posted by Dimitri Papageorgiou in commission, Recording, video w/score

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“d’ ogne luce muto…” (2003), for piano. Commissioned by SCI and ASCAP. Ioanna Polisoidis – piano.

Published by BabelScores (http://www.babelscores.com/catalog/instrumental/d-ogne-luce-muto)

Program notes:

The work consists of a limited number of brief chord progressions that are woven, rewoven, and occasionally juxtaposed to form longer static moments into the structure. The reduction of the sound elements, on the other hand, is intended to shift the listeners’ attention to the inner life of the piano – it’s resonance, so that the music exists rather in the space between the piano and the audience.

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Translucent Currents in her Darkness (2014) by Dimitri Papageorgiou

13 Thursday Nov 2014

Posted by Dimitri Papageorgiou in Recording

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Edo Micic, Ensemble Zeitfluss, Translucent Currents in her Darkness

Performed by the Ensemble Zeitfluss. Edo Micic, conductor. 27/10/2014 – Minoritensaal, Graz, Austria.

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Intrascalings (2014) by Dimitri Papageorgiou – ensemble et cetera at UCSD

19 Sunday Oct 2014

Posted by Dimitri Papageorgiou in Recording

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ensemble et cetera, Intrascalings

I would like to share with you the recording of my work Intrascalings (2014) for clarinet, marimba, and double bass, which was premiered by the amazing ensemble et cetera on October 10th, 2014. I am deeply indebted to the three members of the ensemble, Dustin Donahue – percussion, Curt Miller – clarinet, and Scott Worhington – double bass for all their excellent performance.

10721394_10152310271537167_1947789723_nThe performance took place on October 10th, 2014 at the Conrad Prebys Music Center of the University of California, San Diego.

The program also included the premiers of two very exciting works by Joseph Lake and Timothy McCormack.

Joseph Lake, Vyssan Lull (2014) for clarinet, percussion and double bass

Timothy McCormack, KILN II (2013-14) for bass clarinet, contrabass & percussion

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Dimitri Papageorgiou, Quasi (ébauche) for string quartet (2014)

01 Monday Sep 2014

Posted by Dimitri Papageorgiou in Recording

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Klangforum, music, Quasi (ébauche), string quartet

Performed by the string quartet of the Ensemble Klangforum on July 2nd, 2014, at Ligeti Saal, Mumuth, Graz.

Program Notes

The corruptive dimension of the reconstructive nature of memory serves as a formal model for the unraveling of the present work. Recent neuroscience research coraborates early twentieth century views on memory as a dynamic and evolving phenomenon:

remembering is not a simple retrieval of past events. Memory stores only fragments of the past that later serve for the mental reconstruction of past events, which are susceptible to various kinds of biases and distortions, as well as selective and elaborative processes.

In Quasi (ébauche) the original formative ideas are constantly recalled in a series of reconstructions of the past in constantly present contexts, having at times more fidelity—and at times growing less similar—to the original experience. These reconstructions, by means of pitch gene recombinations, leave only memory vestiges of the original by constantly shifting, diffusing, distorting, transforming, omitting or adding events according to a model of retention/corruption.

It is, in other words, like drawing “on the elements and gist of the past, and extract, recombine and reassemble them into imaginary events that never occurred in that exact form,…not to preserve the past but to adapt it so as to enrich and manipulate the present.’’ It is all about what is remembered and how it is remembered…

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Iriai no kane

17 Thursday Jul 2014

Posted by Dimitri Papageorgiou in commission, Recording

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Edo Micic, Ensemble Zeitfluss, iriai no kane, music

 

Iriai no kane [9:00] for chamber ensemble (commissioned by Edo Micic and the Ensemble Zeitfluss) | Performed by the Ensemble Zeitfluss, Edo Micic – conductor | Minoritensaal at the Kultur Zentrum Minoriten, Graz, Austria | June 23, 2008.

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“In the Vestige of the Present”

23 Wednesday Oct 2013

Posted by Dimitri Papageorgiou in Recording

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In the Vestige of the Present, music, trio IAMA

In the Vestige of the Present, performed by Trio IAMA. Jiannis Anissegos – flute, Maria Anissegou – cello, Antonis Anissegos – piano.

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Effluences in the Autumn 2013 BabelScores selection

10 Thursday Oct 2013

Posted by Dimitri Papageorgiou in Recording

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BabelScores, recording

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My work Effluences (2011) for flute, bass clarinet, piano, violin, and cello is presented in the Autumn 2013 BabelScores selection on SoundCloud.

To listen to the entire play list, please visit: https://soundcloud.com/babelscores/sets/autumn-2013-babelscores

BabelScores® searches for and selects the works of the most creative, innovative and original composers of the last decades. It offers an extended catalogue and develops a powerful circulation platform, addressed specially to performers, ensembles, orchestras, composers, musicologists, conservatories, universities and festivals around the world.

The playlist includes works by composers such as Anthony Tan, Paul Méfano, Pedro Garcia-Vasquez, Joakim Sandgren, Lucas Fagin, Vicente Barrientos Yépez, Olga Bochikhina, and Punto Rosso. Definitely worth listening to!

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“In Pulses, in Strokes . . .” for ensemble. Live performance by the Ensemble Interface. Scott Voyles, conductor.

20 Saturday Apr 2013

Posted by Dimitri Papageorgiou in Recording

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ensemble Interface, In pulses in strokes, music

The performance took place on Tuesday, December 4th 2012 | Solon Michalidis Hall of the State Orchestra of Thessaloniki

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Categories

Recent Posts

  • Recording session with the Arditti String Quartet March 7, 2021
  • Δ-topia by Die Wolke Art Group December 2, 2020
  • Languages of the Unheard (trailer) October 31, 2020
  • published by Noise a Noise, Tehran September 22, 2020
  • …am I hearing voices within the voice? released by Phasma Music September 15, 2020
  • Call for Applications – outHEAR New Music Week 2020 July 14, 2020
  • -NAR||ANA for Ensemble Assonance “Quarantine Project” May 28, 2020
  • Angus Lee premiers Etude in Quarter Tones on Youtube April 22, 2020
  • Even the sky screams sometimes too II March 31, 2020
  • Arditti Quartet to be performing Quasi (ébauche) at NUNC! 4 February 12, 2020
  • outHEAR New Music Week 2019 with the Ensemble Klangforum and PPCM December 14, 2019
  • 28th International Review of Composers, Belgrade: Even the sky screams sometimes too II October 6, 2019
  • TIEMF 2019 – Composition Master Class … via Skype August 4, 2019
  • Iran Bars International Musicians From IRIB Sponsored Festival August 2, 2019
  • 3rd TIEMF 2019 – Program Booklet July 20, 2019
  • 3rd Delian Academy – Opening concert June 7, 2019
  • Delian Academy – Program 2019 June 7, 2019
  • Call for Scores – outhear New Music week 2019 with klangforum wien May 22, 2019
  • Presentation at Bilgi University Istanbul: “The reconstructive nature of memory as a compositional model” April 23, 2019
  • Airborne Extended premiere “She sees by formless gleams” April 10, 2019
  • DIFFRAZIONI MULTIMEDIA FESTIVAL March 29, 2019
  • Even the sky screams sometimes too – 1st Greek performance March 12, 2019
  • Gallery: outHEAR New Music Week 2018 Symposium and Master Class in Composition December 15, 2018
  • “…anD…” for solo viola with Hannah Walter at outHEAR New Music Week December 14, 2018
  • outHEAR New Music Week – first edition December 12, 2018
  • …anD… for solo viola performed in Graz by Hannah Walter December 7, 2018
  • Music from Greece by Muddle Instead of Music December 4, 2018
  • GOS#1 at San Francisco – US Premiere of “…am I hearing voices within the voice? November 27, 2018
  • Delian Academy 2019 – Call for Scores November 27, 2018
  • Selected Artist – GOS#1 Call for Works, San Francisco, U.S.A. October 21, 2018
  • Tehran International Electronic Music Festival 2018 October 19, 2018
  • Interview at Uuden Musiikin Lokakuu Music Festival in Oulu, Finland. October 1, 2018
  • Matti Pulkki premiers my work “Even the sky screams sometimes too” September 29, 2018
  • @Score Follower: In the Vestige of the Present September 19, 2018
  • Tehran International Electronic Music Festival – A report of the Iranian Financial Tribune August 28, 2018
  • “…risuona più lontano che mai” – premiere recording in Italy August 8, 2018
  • Press Report Hitzacker August 6, 2018
  • Labor Beethoven 2020 meets Preisträger-Akademie July 22, 2018
  • “…risuona piu lontano che mai” premiere by Ensemble Suono Giallo (15/7/2018) July 16, 2018
  • Ensemble Suono Giallo Rehearsals June 28, 2018
  • OutHear New Music Week 2018 – CALL for SCORES June 27, 2018
  • The Reconstructive Nature of Memory as a Compositional Model. June 10, 2018
  • Delian Academy program 2018 June 5, 2018
  • Delian Academy for New Music 2018 June 4, 2018
  • Off Borders festival – gallery May 4, 2018
  • Effluénces – Austrian premiere with Ensemble Reconsil April 17, 2018
  • Kathimerini 11/4/2018 – Report on Off Borders Festival April 11, 2018

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